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Self​-​titled (in progress)

by Iowa

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1.
So is there a concept behind this album? Bear with me. I first read John Irving's "Almost To Iowa" when i was 16. I remember feeling as if someone hit me with a sledgehammer by the time i was finished. I must have read it a hundred times in the years following, searching for sub-textual clues and hidden meanings - It was an enigmatic, deeply allegoric story about conviction, honesty and guilt and it connected with every fiber of my teenage being. It was about a decade later that i first read the author's commentary - wherein Irving admits to hating the story; he finds it 'loathsomely cute' and arguably, condescending. For him, it is a story about divorce, and doesn't even do well in that regard. I think good stories, like any good art, are ones that let you decide what they're about - that let you fill in the subtext and straight-out blanks, that challenge you to feel rather than chewing your food-for-thought for you. Of course this album has a concept, and a story, but they are mine and so, expressing them would defeat their purpose. Go make your own adventure.
2.
It was the driver's feeling that a radio would be distracting to them both.
3.
Early-morning goals are among the illusions we must indulge if we're going to get anywhere at all.
4.
One bad mistake every eighteen and a half hours isn't so bad.
5.
And a remarkable bit of repression to think of this mistake as the first.
6.
9. Joliet 03:28
All right, that's enough. I'll take you home.

credits

released May 2, 2016

Cover art:
Shadow by René Romero Schuler (www.reneschuler.com)

Special thanks to Daria Mushinsky, Alon Rubin, Shir Karni and Yossi Arazi

license

all rights reserved

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Iowa Israel

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